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Theses - Animation
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Towards an artistic physics
Ruiz, Gilberto.
Savannah, GA : Savannah College of Art and Design, 2004.
 
 2004
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2
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The use of poetic articulations in live action and animated film
Maloney, Matthew T.
Savannah, GA : Savannah College of Art and Design, 2004.
 
 2004
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3
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The physics of martial arts
Elberger, Seth R.
Savannah, GA : Savannah College of Art and Design, 2004.
 
 2004
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4
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Independent animation production : illustrations as an extension of 2D animation
Manaf, Ahmad Azaini.
Savannah, GA : Savannah College of Art and Design, 2004.
 
 2004
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5
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The African animator in a digital age : exploration of seamless animation media synthesis
Ikegwuono, Princewill C.
Savannah, GA : Savannah College of Art and Design, 2004.
 
 2004
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6
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Psychorealism : inspiring empathy in the third dimension
Jacobson, Terence S.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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7
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The extension of intertextuality in the work of Richard W. Lewis
Lewis, Richard W.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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8
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Case studies and visual thesis of three dimensional animations in advertisements
Ngoeipaiboon, Supakarn.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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9
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Real pencil and paper, virtual scissors and glue : how digital tools serve hand-crafted animation
Westlund, Erik E.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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10
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Procedural muscle and skin stimulation
Gray, Zachary C.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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11
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Parodying reality television in America
Boots, Rob.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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12
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Lack of exposure to African-American artists, such as Gordon Parks, in formal education has contributed to the thought that African-Americans have no significant contribution in the artistic realm
Taylor, Keenan J.
Savannah, GA : Savannah College of Art and Design, 2005.
 
 2005
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13
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Burlesque forever changed the patterns of gender representation and influenced the role of the female character in animation.
Wisley, Lesley.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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14
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Remaking reality: concept sources for animation from fine art and film.
Heimbecker, Matthew
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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15
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Shorn: animation as remedy
Forman, Benjamin W.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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16
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Reproducing aesop's fable in animation format.
Huang, Yi-Hsuan.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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17
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Masks: they give what they steal of hsiang-yu hsu.
Hsu, Hsiang-Yu.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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18
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Tech support: how humor in animation can affect attitudes towards technology
Sadasivam, Krishna M.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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19
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Meat dolls: women and the media of western society
Cook, Diony K.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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20
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Photographic faces :
Baxter, Bejamin C.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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21
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Exploring the manipulation of space and form in experimental animation to create existential experiences :
Ang, Fouridine.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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22
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The influence of basic design principles on my animations :
Khouri, Jacques.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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23
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Zapatas: the flowing curvilinear lines of the animated boutique archetypes :
Hilaga, Maria L.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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24
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Realistic virtual characters :
Lee, Hye
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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25
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Thinking process in character animation :
Lan, Kai-Hua.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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26
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Good machine or threatening menace : the human/ robot relationship in films and animation :
Clayton, Marty J.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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27
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Experimental animation and the notion of freedom :
Doryumu, Harold Nene.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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28
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Tilde Color System : negating popular color theory using modern physics for digital arts :
Tatum, J. Maxwell.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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29
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Finding the right balance of form and function in architecture with animation :
Chiu, Yi-Hsien (Gary).
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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30
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Exploring physical humor from live-action comedies to enhance animation :
Mo, Hsiao-Fan.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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31
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3D animation visualizes the beauty of Chinese poetry :
Tsao, Chun-Chih.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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32
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j-Barta : creating the myth :
Eisert, Kelly E.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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33
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Playing with character identities in animation :
Huang, Cheng-Ching.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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34
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The cartoon hero : appyling Joseph Campbell's hero journey to the short-format animated medium :
Yokley, Ryan.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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35
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The narcissist slug and her mirror :
Hsu Ching-Hua.
Savannah, GA : Savannah College of Art and Design, 2006.
 
 2006
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36
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Blending art and technology : experimented painting skills :
Liu, Shu Tsen.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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37
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Scandalicious :
Roth, Jeffrey Lawrence.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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38
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Improving 3d animation education by providing a technical foundation to solve artistic problems :
Doublestein, John T.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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39
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How to apply traditional acting techniques and develop acting skills for animation :
Shin, Dongsoo.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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40
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Behind an independent CG film: an artist and his work :
Xu, James Jia.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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41
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Achieving visual art through technical means :
Chu, Yi-Ming.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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42
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Finding a style that depicts human rights conditions in North Korea :
Briscoe, Adolph La Shawn Jr.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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43
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How can narrative structures derived from myth be applied to the visual language of animated film? :
Lee, Elizabeth.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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44
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Proposed new character modeling pipeline :
Grim, Christopher E.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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45
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The emotions of a personal panic attack can be expressed using different media within experimental animation and the use of Associative Special Effects (ASFX) to enhance the impact of the film :
Alzate, Ivan Dario.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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46
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The influences that lead to the creation of the NWS films by Timothy E. Farrell, Jr. :
Farrell, Timothy Jr.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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47
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Modeling and texturing fantasy creatures and environment :
Koh, Choon Teck.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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48
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Why slapstick humor has its appeal: an investigation into slapstick humor and the human condition :
Levine, Adam P.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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49
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A reflection and analysis on the production of the short film: Frayed Strands :
Gunter, Stormy F.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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50
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How can a visual artist address his political intention through his work? :
Chen, Ching-Wen.
Savannah, GA : Savannah College of Art and Design, 2007.
 
 2007
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